BLUES,GENRE,MUSICAL FORM,AFRICAN AMERICAN,IN THE DEEP,SOUTH,THE UNITED STATES,THE END,THE CENTURY,DEVELOPED,ROOTS,WORK SONGS,EUROPEAN AMERICAN,FOLK MUSIC,BLUES INCORPORATED,WORK SONG,FIELD HOLLER,CHANT,RHYMED,SIMPLE,NARRATIVE,BALLADS,THE BLUES,UBIQUITOUS,JAZZ RHYTHM,ROCK AND ROLL,THE CALL,RESPONSE,PATTERN,SCALE,CHORD PROGRESSION,THE TWELVE,COMMON BLUE,NOTE,WORRIED,NOTES,THIRDS,THE SOUND,WALKING BASS,REINFORCE,THE TRANCE,RHYTHM,GROOVE BLUES,LYRICS,BASS,LINES,INSTRUMENTATION,TRADITIONAL BLUES VERSE,TIMES,DECADES,COMMON,CURRENT,STRUCTURE,STANDARD,CONSISTING OF,SUNG,REPETITION,THE NEXT,LONGER,CONCLUDING,THE LAST,LOOSE,THE TROUBLES,EXPERIENCED,SOCIETY,ELEMENTS,FORMAT,BLUE,THE MUSIC,AFRICA,ORIGINS OF THE BLUES,RELATED,RELIGIOUS MUSIC,THE AFRO AMERICAN,COMMUNITY,FIRST APPEARANCE,ENDING,SLAVERY,DEVELOPMENT OF,JUKE JOINT,ACQUIRED,FREEDOM,SLAVES,CHRONICLERS,REPORT,BLUES MUSIC,THE DAWN OF,PUBLICATION,SHEET MUSIC,EVOLVED,VOCAL MUSIC,ORAL TRADITIONS,WIDE,VARIETY,SUBGENRES,COUNTRY BLUES,DELTA BLUES,PIEDMONT BLUES,URBAN BLUES,CHICAGO BLUES,WEST COAST BLUES,WORLD WAR II,MARKED,THE TRANSITION,ACOUSTIC,ELECTRIC BLUES,THE PROGRESSIVE,OPENING,WIDER,AUDIENCE,WHITE,HYBRID,BLUES ROCK,TERM,COME FROM,BLUE DEVILS,MEANING,MELANCHOLY,SADNESS,SENSE,GEORGE,COLMAN,ONE ACT,FARCE,PHRASE,DERIVED,BRITAIN,INTENSE,VISUAL HALLUCINATIONS,ALCOHOL WITHDRAWAL,REFERENCE,DEVILS,MEAN,STATE,AGITATION,DEPRESSION,DRINKING ALCOHOL,BLUE LAW,THE SALE,ALCOHOL,AFRICAN AMERICAN MUSIC,OLDER,PRINT,SINCE WHEN,HART WAND,DALLAS BLUES,COPYRIGHTED,COMPOSITION,USED TO,DESCRIBE,DEPRESSED MOOD,SOURCES,BLUE NOTE,MICROTONAL,THE OXFORD ENGLISH DICTIONARY,CLAIMS,NAMING,PROBABLY,PUBLISHED,SONGS,SAINT LOUIS BLUES,LYRIC,C,HANDY,CONVENTION TO AVOID,THREE TIMES,THE LINES,CLOSER,RHYTHMIC,TALK,MELODY,SINGERS,VOICED,HIS OR HER,PERSONAL,WOES,IN A WORLD,HARSH REALITY,LOST LOVE,CRUELTY,POLICE OFFICERS,OPPRESSION,THE HANDS,WHITE FOLK,HARD TIMES,SUGGESTION,IGBO,ORIGIN,THE REPUTATION,PLANTATIONS,THE AMERICAS,MELANCHOLIC,MUSIC,OUTLOOK,ENSLAVED,RELATE,TROUBLES,SOCIETY FOR,INSTANCE,BLIND LEMON JEFFERSON,RISING,HIGH WATER,THE GREAT,MISSISSIPPI FLOOD,BACKWATER,SOUTHERN,PEOPLES,CANT,CANT GET NO,HEARING,MEMPHIS,GIRL,MINE,ASSOCIATION,MISERY,HUMOROUS,RAUNCHY,REBECCA,YOUR,LEGS,YOU BABY,WORRYING,THE HELL,BIG JOE TURNER,COMPILATION,TRADITIONAL BLUES LYRICS,HOKUM BLUES,LYRICAL,CONTENT,FARCICAL,STYLE,TAMPA RED,CLASSIC,WORDPLAY,THE DOUBLE,SOMEONE,COUPLED WITH,PHYSICAL,SEXUALLY EXPLICIT,DIRTY BLUES,SIMPLER,POSTWAR,FOCUS,RELATIONSHIP,SEXUAL,WORRIES,THEMES,ECONOMIC DEPRESSION,FARMING,GAMBLING,MAGIC,FLOODS,DROUGHT,LESS,THE WRITER,CLAIMED,YORUBA MYTHOLOGY,CITING,ROBERT JOHNSON,CROSS ROAD BLUES,VEILED,ELEGGUA,ORISHA,IN CHARGE,THE CROSSROADS,CHRISTIAN,INFLUENCE,OBVIOUS,ARTISTS,CHARLEY PATTON,SKIP JAMES,RELIGIOUS,REVEREND GARY DAVIS,BLIND WILLIE JOHNSON,CATEGORIZED,MUSICIANS,BELONG TO,CYCLIC,PROGRESSION,CHORDS,MIRRORS,SCHEME,AFRICAN,DEFINED,TERMS,PARTICULAR,POPULARITY,PERFORMERS,BESSIE SMITH,SPREAD,INDUSTRY,CHORD PROGRESSIONS,HOW LONG BLUES,TROUBLE IN MIND,BIG BILL BROONZY,KEY TO THE HIGHWAY,RAY CHARLES,INSTRUMENTAL,SWEET,HERBIE HANCOCK,WATERMELON MAN,IDIOSYNCRATIC,NUMBERS,SITTING ON TOP OF THE WORLD,WALTER VINSON,FRAMEWORK,HARMONIC PROGRESSION,TIME SIGNATURE,TWELVE BAR BLUES,ROMAN NUMBER,REFERRING,THE KEY,TONIC,CHORD,SUBDOMINANT,DOMINANT,TURNAROUND,MARKING,THE BEGINNING OF,GENERALLY,BEAT,THE TENTH,THE BAR,THE INSTRUMENTALIST,BREAK,HARMONY,THE TURNAROUND,COMPLEX,SOMETIMES,ANALYSIS,HARMONIC SEVENTH,INTERVAL,CHARACTERISTIC,POPULARLY,SEVEN,HARMONIC,FREQUENCY,RATIO,CLOSE,CONVENTIONAL,WESTERN,DIATONIC SCALE,CONVENIENCE,NECESSITY,MINOR SEVENTH,DOMINANT SEVENTH CHORD,DISTINGUISHED,FIFTH,SEVENTH,MAJOR SCALE,THE BLUE,BENT NOTES,TONES,REPLACE,THE NATURAL,THE CASE,THE MINOR,BLUES SCALE,FLATTENED SEVENTH,FOURTH,NATURAL,CENTURIES,THE REVOLUTIONARY,ASPECT,ADJACENT,SAME TIME,MINOR,SLIDING,SIMILAR,GRACE NOTE,THE BLUE NOTES,MOMENTS,EXPRESSION,MELODIES,CALL AND RESPONSE,GROOVE,AFRO AMERICAN,ORIGINS,THE SHUFFLES,CENTRAL,ROLE,SWING MUSIC,SIMPLEST,SIGNATURE,THE R,WAVE,RIFF,THE BASS,STRINGS,THE GUITAR,THE DRUMS,FEEL,SHUFFLE RHYTHM,DUMP,UNEVEN,SWUNG EIGHTH,GUITAR,QUARTER NOTE,MOTION,THE SIXTH,ANTONIO,SONG,THE WORD,THE MEMPHIS BLUES,RECORDING,SINGER,MAMIE SMITH,RENDITION,PERRY,BRADFORD,CRAZY BLUES,THIS MUSIC,POORLY,DOCUMENTED,RACIAL DISCRIMINATION IN,ACADEMIC,CIRCLES,RATE,LITERACY,RURAL,AFRICAN AMERICANS AT,REPORTS,SOUTHERN TEXAS,THE DEEP SOUTH,WRITTEN,CHARLES,PEABODY,APPEARANCE,CLARKSDALE MISSISSIPPI,GATE,THOMAS,REPORTED,OBSERVATIONS,COINCIDE,MORE OR LESS,RECOLLECTIONS,JELLY ROLL MORTON,WHO SAID,HEARD,NEW ORLEANS,MA RAINEY,REMEMBERED,MISSOURI,TUTWILER MISSISSIPPI,RESEARCH,THE FIELD,PERFORMED,HOWARD W ODUM,ANTHOLOGY,FOLK SONGS,LAFAYETTE COUNTY MISSISSIPPI,NEWTON COUNTY GEORGIA,NONCOMMERCIAL,RECORDINGS,PROTO,PAUL OLIVER,BEGINNING,AVAILABLE,MADE IN,LAWRENCE GELLERT,ROBERT W,GORDON,THE ARCHIVE,AMERICAN,THE LIBRARY OF CONGRESS,SUCCESSOR,THE LIBRARY,JOHN LOMAX,LOMAX,ALAN,LARGE NUMBER,NON COMMERCIAL,BLUES RECORDINGS,TESTIFY,HUGE,RING SHOUT