BRIEF HISTORY BLUES MUSIC PIERO SCARUFFI CHAPTER HISTORY OF POPULAR MUSIC COPYRIGHT ALL RIGHTS RESERVED PURCHASE THE BOOK MY BOOK POPULAR NEGRO MUSIC NEVER KNOW MUSIC DEVELOPED THOUSANDS YEARS AGO MEANS COORDINATE COLLECTIVE HUMAN HUNTING COMES NATURAL START SINGING RHYTHMIC SONG ACTIVITY GROUP OF PEOPLE WHETHER HIKING THE MOUNTAINS BUILDING SINGERS SOCIAL STATUS JUST LIKE SHAMANS PERCUSSION INSTRUMENTS PERCUSSIONISTS PERCUSSIVE VIRTUOSO SOMETIMES THE EVOLUTION OF SOLO INVENTED ADMIRE THE MUSIC THE BEST SINGERS PERFORMANCES ARISTOCRACY POINT MERGE POETRY ENTERTAIN STORIES PEOPLE FAMILIAR THE CLASSIC GREEK THEATER ABSTRACT METAPHORICAL LESS CHRISTIANITY BENT PURPOSE SING PRAISE THE LORD CALL FAITHFUL THE VEHICLE MESSAGE ORDINARY PEOPLE SONGS HEROS JOYS SORROWS RURAL LIFE BUY THE BEST INSTRUMENTS THE MARKET CLASSICAL INVENTION REDUCED EMPHASIS RATHER PRIMITIVE FOLK MUSIC DANCING RHYTHM DISCRIMINANT THE SITUATION EUROPEAN MUSIC THE MELTING POT EUROPEANS FORCED THE FIRST TIME RACIAL INSTINCT WAS TO THE WESTERN EUROPEAN ANGLOSAXONS MATTER CENTURIES BOUNDARIES BLURRED CONFRONTATION THE EXISTENCE AFRICAN MUSIC ODDITY THE ANIMAL KINGDOM THE SOUNDS COEXIST INROADS WHITE AMERICAN 19TH CENTURY ELEMENTS PERCOLATE WHITE FOLK PHENOMENON SOCIETY THE KEY AFRICAN CERTAINLY THE AFRICAN POLYRHYTHMS LINEAR RHYTHMS THE EFFECT WHITE MUSIC BARELY GOING TO FACTOR IN FACT CHANGED AT ALL CHANGE DRAMATICALLY CHANGES FASTER ONCE INFLUENCE FUSION INNOVATION THE WESTERN WORLD ARS NOVA STATUS EUROPEAN CLASSICAL MUSIC BIT REFUSED ACCEPT ANIMAL MULATTO THUS THE GAP THE SIXTIES PERSPECTIVE ACTUALLY POINTLESS AFRICA MUCH MORE EUROPE MUSICAL CULTURE DOMINATE SPREAD ACROSS THE CONTINENT SLAVES TRADED THE AMERICAS WEST WHOSE FROM THE MUSIC PARTS THE WAY GREEK THE CORE EMBELLISH MELODY COUNTERPOINT NUMBER MELODIC TERMS ADAGIO WEST AFRICAN COLOR DRESS THE WEST AFRICAN LANGUAGES TIMBRE PERCUSSIVE MUSIC NOTHING SIMULATION SPOKEN LANGUAGE LEARNED HOW TO PLAY MUSIC PLAY LEARNING SEMANTIC VALUE EXCEPT THE AXIS MEANING THE EUROPEAN COLONISTS THE NORTH AMERICA INTENTION CONVERTING FACT MORAL JUSTIFICATION IN THOSE DAYS CHRISTIAN BEINGS THE METHODIST BAPTIST REVIVAL THE GREAT AWAKENING MASSACHUSETTS IDEOLOGY OF SLAVERY JUSTIFIED SAVE THE PAGANS CERTAIN THEREFORE THE CONVERSION OF VIEWED RELIGIOUS CRUSADE SAVING ORIGINAL NORTH THE CANON ADAPTATION RITUALS LITURGICAL MUSIC SYSTEM NEEDLESS DEVELOPMENT OF NEGRO SPEED BLACK PREACHERS THE PREACHER AUDIENCE SIMPLY TURN CALL AND RESPONSE RELATIONSHIP BLACKS HAD TO THEMSELVES PREACH ALREADY SCALE SEQUENCE NOTES DIATONIC SCALE EIGHT TONES THE EIGHTH REPETITION TONE OCTAVE CHROMATIC SCALE TONES PENTATONIC SCALE SIXTH SCALES DEVIANT SPIRITUAL MUSIC BLACK MUSIC THE USA DEVELOP THE BLACK RELATED ROOTS THE WORK THE ATLANTIC SLAVE PORTUGUESE THE 16TH TURNED THE ENGINE NORTH AMERICAN BRITISH IN THE 18TH CENTURY LEFT ONE MILLION CIVIL POPULATION DILEMMA CROWDS GOOD THE MISSIONARIES TASK WHITE FOLKS TALENT SOCIAL PHENOMENON TRUE RURAL THE RICH OWNERS COUNTERPARTS FORMAL REPUDIATING COMMENTARY DAILY LIFE THE AFRICANS THE PLANTATIONS HUNG ADAPT CHRISTIAN LITURGY MIND NORMAL SACRED CEREMONIES IMPORTED VOCAL HARMONIES SYNCOPATED FIRST INSTANCE SOCIAL ENVIRONMENT THE NEW WORLD SOMETHING EXIST IN AFRICA LYRICS MARTYRDOM THE COMMUNITY THE ODYSSEY THE OTHER MUSICAL EXPRESSION WORK SONGS COTTON WHEAT PARTY CLOSER THE ORIGINAL MUSIC OF AFRICA EXISTED GO DOWN MOSES EXAMPLE JUBILEE THE RHYTHM WORK THE SINGER THE LISTENERS DEEPLY HYPNOTIC RESIGNED ACCEPTANCE SAME TIME ECSTATIC EMOTIONAL THE HOPE EMOTION IMPROVISATION THE COMBINED FORMAT CONTENT LOOSE STRUCTURES PERIODS VIRTUALLY ENDLESS ALTERNATION INNOVATIVE THE STANDARDS GENERALLY HAND CLAPPING FOOT EMPLOYED BROAD VOCAL RANGE ACROBATIC INTRODUCING FREEDOM UNKNOWN WESTERN EQUIVALENT THE CALL RESPONSE LEADER CHOIR BENDING THE ROLE CLOCKWORK PRECISION STRUCTURE LINEAR PROGRESSION PERFORMED THE WHITE PARTIES HERITAGE IN THE SOUTH THE BLACKS MUCH BETTER INTEGRATED WHITE SOCIETY THEATER NEW YORK AFRICAN GROVE THE CORNER GREENWICH OUTSIDE FRANCIS JOHNSON COMPOSER ORCHESTRAL MUSIC PHILADELPHIA CONCERT ELIZABETH GREENFIELD VOCALIST THEORETICALLY THE CIVIL WAR COLLECTION PUBLISHED AFTERWARDS SLAVE SONGS OF THE UNITED IN PRACTICE LITTLE IMPROVE THE CONDITION THE SOUTHERN STATES CITIES PROMISED KIND ON THE OTHER HAND THE END DISSOLUTION TRADITIONAL MEETING POINTS THE PLANTATION VEHICLE VENT FRUSTRATION DEFINED GROUP SINGER FREE DEFINING HIMSELF WORDS MOOD ECHOED ENTIRE THE VIEW FINALLY LONGER PRISONER BLACK PERSON THE DIARY COMMUNITY THE BANJO INSTRUMENT THE GUITAR HARMONICA EVENTUALLY VOICE BLUESMAN ADDRESSING CHURCH SONGSTER THE BLUES DIALOGUE HUMAN BEING SONGSTERS THE RECONSTRUCTION ARMED THE NARRATIVE BRITISH BALLAD SIMILAR THE DIFFERENCE EPICS ORDINARY ALMOST BRUTAL DEPICTION REAL LANDSCAPE PRISONS DUSTY LOVE ROMANTIC DEATH STEP ETERNAL LIFE EXISTENTIAL QUALITY STRONGER IN FIRST AND FOREMOST STATE OF MIND NO MATTER SEX POVERTY UNBRIDLED MATERIALISM SELF GLORIFICATION SELF PITY SENSE UNAVOID