GREECE INFORMATION PLACES TO VISIT FACTS TRIVIA THE GREEK LANGUAGE SAINTS ANIMALS PLANTS JOBS GREEK FOOD MUSIC OF GREECE REAL ESTATE HOLIDAYS ANCIENT HISTORY ATHENS PIRAEUS THESSALONIKI ACROPOLIS CHALKIDIKI HISTORICAL METEORA GREEK MYTHOLOGY GREEK ANTIQUITY HISTORY OF ANCIENT GREECE ANCIENT GREECE THE ACROPOLIS OF ATHENS THE WORD MEANS ALL OVER ALWAYS SITUATED ON A HIGH SHELTER DEFENCE THE ONE THE BEST THEREFORE IMPRESSIVE WALKING THE VISITOR FEELING TRUE SENSE GREATNESS THE ANCIENT GREEKS MYTHOLOGY THE FOUNDER GREEK CIVILIZATIONS KING THE EARTH HALF MAN HALF TAUGHT THE PEOPLE THE BURIAL GOD PROTECT GODDESS ATHENA THE GOD ORDER PROVE BRIBE PRESENTED POSEIDON TRIDENT THE ROCK THE ACROPOLIS SPRANG THE WELL DRINK HAD TO SPIT WATER TOUCHED OLIVE TREE PROVED MUCH MORE USEFUL CECROPS PATRON THUS HER NAME WOODEN STATUE STOOD BELIEVED FALLEN HISTORY OF THE 7TH MILLENNIUM MYCENAEAN CIVILIZATION WALLS EVIDENCE PALACE HERE THE TOMB LIE ATHENIANS MIGHT KEPT SNAKE TOMBS TEMPLES CONNECTED HEROES GODS 6TH CENTURY BC CHANGED LONGER TURNED SANCTUARY ANYTHING ELSE HUGE PROCESSION PANATHENEAN GAMES THE GAMES ATHLETIC MUSICAL COMPETITIONS THE WINNER AMPHORA OLIVE OIL THE OLIVE TREE SACRED TREE THE PERSIAN WARS 5TH CENTURY BUILDING THE PARTHENON THE PERSIANS FOCUS PUT ON PERICLES GOLDEN THE STRUCTURE THE MIDDLE PROPYLAEA BRONZE STATUE UNEMPLOYED THANKS TO ATHENIAN FOOD ARCHITECTS ICTINUS CALLICRATES THE STATUE PHIDIAS THE END THE TEMPLE ATHENA NIKE THE ROMANS THE 2ND SANCTUARIES STATUES WORKS OF ART TAKEN ROME OLYMPIA DELPHI PRETTY LEFT ALONE THE EMPERORS HERODES ATTICUS THEATRE TO THIS DAY CONCERTS BALLETS THE MIDDLE AGES CONVERTED CHRISTIAN CHURCHES CHARACTERISTIC FACT TEMPLE THE VIRGIN CHURCH SAINT THE TURKS THE 16TH THE VENETIANS PROJECTILE STORAGE ROOM ROOF IN THE BEGINNING 19TH CENTURY ENGLISHMAN LORD ELGIN THE SULTAN FAMOUS PARTHENON MARBLES TODAY MATTER CONTROVERSY THE BRITISH MUSEUM THE GREEKS PLEA DESPITE ALL THAT REALLY POLLUTION MODERN ATHENS WORST PROBLEM DECADES REAL SOLUTION PARTHENON MAIN BUILDING OF PERIOD CONSTRUCTION COLOSSAL GOLD AND IVORY IT FOLLOWS MUST COMPLETE FIVE YEARS FINISH THE SURFACE COMPLETION SCULPTURAL SOMEWHAT INHERITED THE EARLY TEMPLE OF ATHENA ADDITION OPENING SQUARE CHAMBER SHUT OFF THE CELLS SOLID WALL CHRISTIAN CHURCH TRACES THE WESTERN CHAMBER SEEN THE EAST END SAME TIME COLONNADE SMALLER COLUMNS CARRYING GALLERY THE ORIGINAL IGNORE RAISED STYLOBATE WEST PATCH ROUGH THIS WAS THE PEDESTAL HOLE IN FIXED THE FRAMEWORK CELLA HAVE TO EXTENT DISAPPEARED POSSIBLE DELICACY ARCHITECTURAL DESIGN OUTER LOOKING RECOGNIZE CONVEX CURVE THE WHOLE OPTICAL HORIZONTAL LINE VERTICAL ABOVE GIVE THE ILLUSION SAGGING LINES CONCERN EXTERNAL APPEARANCE CURVATURE THAT PART OUTSIDE THE INTERIOR FLOOR FLAT VERIFIED VISITOR THE WAY PERISTYLE STEPS SPECULATION PROBABLY SIMPLE CUTTING DOWN AREA LEVEL CURVE HOW IT THE COLUMNS MEASURING THE HEIGHT THIS WILL BE BE IN CASE GREATER THE OUTSIDE INSIDE IN CALCULATED GRADATION THE DIFFERENCE LESS THE SIDE FRONT DRUMS THE SAME SIDE IDENTICAL ATTEMPT REPLACE IN POSITION EXACT STUDY DONE RECENT RECONSTRUCTION OF THE NORTH MADE IN LAST RECENTLY DEMOLISHED LOOKS THE OPEN SPACE FRAMED EXTREME THE FRONT SHOWS CURVED ENTASIS STRAIGHT LINE THIS IS TRUE EXCEPT SURFACE APPEARS INTACT FIFTH CENTURY ALTERATIONS ALREADY BELONG FRESCOES CHRISTIAN SAINTS CHANGE TURKISH SEEMS MODIFICATIONS MINARET IN THE SOUTH BASIS FILLING OPISTHODOMOS TAPERING POINT RISING HIGH ABOVE AT THIS TIME SCULPTURE ALMOST COMPLETE THE CENTRAL GROUP EASTERN PEDIMENT THE STATE CARREY DRAWINGS DISASTER INSTRUMENTAL PRESENT THE ATTACK THE VENETIAN ARTILLERY BOMBARDING POWDER MAGAZINE DESTRUCTION CAUSED REMOVE THE CHARIOT HORSES THE WESTERN SOON MOSQUE RUINED STATE CENTURIES MEANWHILE BUILDINGS NEGLECT THE DESIRE HENCE THE PLAN TO A PLACE WHERE IT SAFE COMTE BRITISH AMBASSADOR TO THE ELGIN MARBLES PROBABILITY MUSEUM ACCESSIBLE INDEPENDENCE OF GREECE ATTAINED THE REMAINS FOR SOME THE NINETEENTH CENTURY NORTHERN PHOTOGRAPHS SUFFICIENT PATCHED BRICK THING THE MODERN WAS TO PULL MEASUREMENTS POSITIONS CONVEX THE DRUMS PROPER SO FAR AS WAS STUCCO CONTRAST ARCHITRAVE THE PROCESS THE CONDITION OBVIOUSLY IMPRACTICABLE DESIRABLE THE ONLY SCULPTURES LEFT TWO FIGURES REMAINS HEADS CHARIOTS THE SUN EASTERN AND WESTERN SOUTH FRIEZE THE WEST END PARTICULARLY INSTRUCTIVE ORIGINAL POSITION ARE TO METOPE CORNER HAPPILY ARCHITECTURAL GOOD NOTION SHELTERED THE OTHER THE LATEST THE GREAT PROPYLAIA OR GATE ENTRANCE PIERCED FACING PORTICO DORIC COLUMNS COURT ROADWAY BORDERED ROWS IONIC COLUMNS WING PROJECTED BEYOND THE SOUTH THE LITTLE PRECINCT PLAN PORTICOES FLANKING PROFESSOR INFERRED DESIGN THE ARCHITECT NEVER THE BEGINNING OF THE PELOPONNESIAN WAR INVOLVED AWAY SACRED ARTEMIS BRAURONIA RELIGIOUS CONSERVATISM CAUSE ACCOUNT ABRIDGED FROM THE ROUGH THE STONES THE ABSENCE DRESSING ORIGINAL PLANS ERECHTHEUM BEGUN INTERVAL PEACE COMMISSION SURVEY THE PLACE SHRINES CERTAIN DEDICATED TO ATHENA PALLAS PORCHES TO THE NORTH PERFECT RICHEST IONIC DE