CUBISM ART MOVEMENT REVOLUTIONIZED EUROPEAN PAINTING SCULPTURE INSPIRED RELATED MOVEMENTS MUSIC LITERATURE ARCHITECTURE TERM ASSOCIATION WIDE VARIETY IN PARIS MONTMARTRE MONTPARNASSE PUTEAUX THE MOVEMENT GEORGES BRAQUE PABLO PICASSO ANDRE LHOTE JEAN METZINGER ALBERT GLEIZES ROBERT DELAUNAY HENRI LE FAUCONNIER FERNAND JUAN GRIS PRIMARY INFLUENCE THE REPRESENTATION OF LATE WORKS PAUL RETROSPECTIVE PAINTINGS THE SALON CURRENT DISPLAYED SALON DAUTOMNE RETROSPECTIVES DEATH CUBIST BROKEN UP ABSTRACTED DEPICTING FROM ONE THE ARTIST SUBJECT MULTITUDE VIEWPOINTS GREATER IMPACT SPREAD THE GLOBE EVOLVED IN ESSENCE STARTING POINT PROCESS DIVERSITY ANTECEDENT DIVERSE ART MOVEMENTS ORPHISM ABSTRACT ART PURISM FUTURISM SUPREMATISM DADA DE STIJL DEVELOPED IN RESPONSE FUTURIST HOLD IN COMMON FUSING THE PAST SAME TIME MULTIPLE PERSPECTIVE SIMULTANEITY TECHNIQUE CONSTRUCTING COMMON THREADS FACETING SIMPLIFICATION GEOMETRIC THE ASSOCIATION OF MECHANIZATION MODERN LIFE PABLO LES DEMOISELLES DAVIGNON GEORGES HOUSES THE CRITIC LOUIS VAUXCELLES REFER TO ODDITIES GERTRUDE STEIN LANDSCAPES PICASSO HORTA ORGANIZED GROUP EXHIBITION CUBISTS THE SPRING ROOM BRAQUE THE INVENTOR IMPORTANCE PRECEDENCE WITH RESPECT TO VOLUME VIEW RESTRICTIVE DEFINITION OF ARTISTS THE ART HISTORIAN CHRISTOPHER GREEN MARGINALIZING CONTRIBUTION DIVIDED THE HISTORY OF PHASE ANALYTIC CUBISM PHRASE RADICAL SHORT SYNTHETIC CUBISM VITAL SURREALIST MOVEMENT POPULARITY ENGLISH ART DOUGLAS COOPER PHASES COOPER EARLY CUBISM THE STUDIOS HIGH EXPONENT FINALLY THE LAST DOUGLAS COOPERS TERMS DISTINGUISH THE WORK INTENTIONAL VALUE JUDGEMENT ASSERTION DEPICTION FLATNESS CANVAS SUBJECT TO CRITICISM CLEMENT GREENBERG CONTEMPORARY EXTENT WHOSE DISTINCT ALTERNATIVE INTERPRETATIONS OF THEREFORE WIDER FRANCIS PICABIA THE BROTHERS JACQUES VILLON RAYMOND DUCHAMP MARCEL DUCHAMP BEGINNING THE CORE SECTION DOR GROUP ALEXANDER ARCHIPENKO JOSEPH CSAKY OSSIP ZADKINE JACQUES LIPCHITZ HENRI LAURENS PAINTERS LOUIS MARCOUSSIS ROGER DE LA FRESNAYE DIEGO RIVERA AUGUSTE HERBIN LHOTE GINO SEVERINI BLANCHARD GEORGES VALMIER STRESS ICONOGRAPHIC QUESTIONS RATHER JOHN BERGER THE ESSENCE MECHANICAL METAPHORICAL MODEL DIAGRAM VISIBLE REPRESENTATION OF INVISIBLE NEED CERTAIN APPEARANCE SIGNS IMITATIONS CENTURIES EUROPEANS DISCOVERING AFRICAN MICRONESIA NATIVE AMERICAN ART PAUL GAUGUIN HENRI MATISSE STARK POWER SIMPLICITY FOREIGN MATISSE RECENTLY ACQUIRED INTEREST PRIMITIVISM IBERIAN SCULPTURE AFRICAN ART AFRICAN TRIBAL MASKS FRIENDLY RIVALS COMPETED EACH OTHER LEADING ENTERING PERIOD WORK MARKED THE INFLUENCE PROTOCUBISM SEEN PARTICULARLY THE FORMATION OF GOES GENERALLY EXAGGERATION MAJOR STEP EXPRESSIONIST ELEMENT CONTRARY THE SPIRIT OF THE WORLD REALISTIC LOGICAL PICTURE MARKS BIRTH PICTORIAL VIOLENTLY ALL THAT OBJECTION ORIGIN EVIDENT PRIMITIVE ART DANIEL ROBBINS FAMILIAR EXPLANATION GIVE ADEQUATE CONSIDERATION FLOURISHING EXISTED CONSCIOUS SEARCH NEW STYLE CAUSED RAPID CHANGES THE IMPRESSIONISTS DOUBLE POINT LES NABIS SYMBOLISTS THE PICTURE SIMPLE STRUCTURE THE WORKS GEORGES SEURAT PARADE DE CIRQUE LE CHAHUT LE CIRQUE PARALLELS DEVELOPMENT OF SOCIAL THOUGHT ADDITION SEURAT THE ROOTS ARE TO WORK FIRST BREAKING PAINTED SURFACE AREAS PLURAL VIEWPOINT BINOCULAR VISION NATURAL CONCEPT PICTURE PLANE AS IF FACES KIND THE WAY HISTORICAL STUDY DRAWING SOURCES LIMITED OPINIONS GUILLAUME APOLLINAIRE RELY BOOK SYNTHETIC SUBSEQUENTLY ACCEPTED THE BOTH IMPOSITIONS THE FACTS NEITHER DESIGNATED FAULT RIGORS TRADITIONAL INTERPRETATION OF POST MEANS UNDERSTANDING APPRECIATION APPLY DIFFERENCES COMPELLED QUESTION RIGHT AT ALL DIFFERENTLY PATTERN DESERVED SATELLITE ROLE FACT CUBES CONNECTION PUBLISHED TWICE SIMILAR THE WORD CUBE LOUIS REFERENCE DELAUNAY MOSAICIST BRINGS PRECISION CUTTING OF COLOR APPEAR CRITICAL JEAN CROSS USES SQUARE POINTILLISM IMPRESSION SOLID MATTER COLORED PRETTY REVETMENTS GENERAL USAGE GLEIZES THE POET CRITIC BEHALF EXHIBIT BRUSSELS PREPARATION DE LA DU CUBISME THE CONFUSION DEFENCE PUBLIC SCANDAL CLARIFYING THEORETICAL TREATISE STILL REMAINS COLLABORATION DISCUSSIONS THE CIRCLE COURBEVOIE MIRRORED PASSY PICABIA WHOM READ PRIOR THE CONCEPT OBSERVING POINTS SPACE AND TIME SIMULTANEOUSLY THE ACT MOVING OBJECT ANGLES IMAGE MOBILE DEVICE COLLECTION REFLECTIONS APOLLINAIRE INVOLVED GAVE ATTENTION DIFFERENCE SUPPORT COMMITTED ART DEALER ANNUAL INCOME EXCLUSIVE RIGHT BUY SOLD SMALL CIRCLE THE FREEDOM EXPERIMENT THE FIRST WORLD WAR REPUTATION AWARE RESPONSE THE NEED ALREADY HENRI STUDIO THE BOULEVARD WRITERS SALMON YOUNG THE GROUP WANTED RESEARCH IN OPPOSITION EMPHASIS REVIEW PASSING THE HUMAN BODY PALLID MONTHS FRACTURED CONTROVERSY SALON SHOWING THE GENERAL THE FIRST TIME EIFFEL TOUR EIFFEL DE SEGONZAC ISSUE NEW YORK ARTICLE GELETT BURGESS THE WILD THE ARMORY SHOW REALISTIC ART EXPERIMENTAL THE EUROPEAN AVANT FAUVISM THE NEW YORK TIMES DOMINATE PARIS FALL SUBTITLED ECCENTRIC SCHOOL OF PAINTING VOGUE THE CURRENT ART EXHIBITION ATTEMPT NONE SO MUCH THE EXTRAORDINARY PRODUCTIONS IN FACT DISPATCHES FEATUR