JAPAN COMPUTER ANIMATION THE WORD PRONUNCIATION ANIMATION TERM REFERENCES OUTSIDE ANIME USED TO REFER FROM JAPAN STYLE COLORFUL CHARACTERS ARGUABLY STYLIZATION APPROACH MEANING OPEN THE POSSIBILITY WESTERNERS VIEW PRODUCT SCHOLARS DEFINING JAPANESE RELATED ORIENTALISM COMMERCIAL JAPANESE ANIMATION DATES PRODUCTION ANIME WORKS INCREASE CHARACTERISTIC ART STYLE THE WORKS OSAMU TEZUKA SPREAD INTERNATIONALLY LATE TWENTIETH CENTURY DOMESTIC INTERNATIONAL DISTRIBUTED THEATRICALLY TELEVISION BROADCASTS HOME MEDIA CLASSIFIED TARGETING DIVERSE BROAD NICHE PRODUCTION METHODS TECHNIQUES OVER TIME IN RESPONSE EMERGENT IDEAL GRAPHIC CHARACTERIZATION IMAGINATIVE INDIVIDUALISTIC LESS THE ANIMATION REALISM SETTINGS CAMERA EFFECTS PANNING ZOOMING ANGLE REALITY PATH ESCAPISM AUDIENCES IMMERSE THEMSELVES ART STYLES CHARACTER FEATURES EMOTIVE SIZED ANIME INDUSTRY OVER PRODUCTION MAJOR NAMES STUDIO GHIBLI GAINAX TOEI ANIMATION COMPRISING FRACTION FILM MAJORITY DVD SEEN SUCCESS RISE POPULARLY PRODUCTIONS RATHER GENRE ENGLISH DENOTE ANIMATED TELEVISION ENTERTAINMENT ETYMOLOGY THE ENGLISH WRITTEN IN KATAKANA PRONOUNCED SOURCES CLAIM FRENCH DESSIN BELIEVE MYTH DERIVED POPULARITY THE MEDIUM COMMON NOUN FUNCTIONS MASS NOUN WATCH PRIOR JAPANIMATION PREVALENT APPEARS PERIOD WHERE IT DISTINGUISH HAYAO MIYAZAKI TRUNCATED WORD DESOLATION JAPANESE ANIMATION INDUSTRY ANIMATORS MOTIVATION EXPRESSIVE RELY FIXED ICONOGRAPHY FACIAL EXPRESSIONS PROTRACTED EXAGGERATED ACTION LACK DEPTH SOPHISTICATION DO NOT ATTEMPT EMOTION FORMAT THEATRICAL VIEWING MUSICAL COMPONENTS ADDING SOUND VOCAL NIPPON TELEVISION MOGURA ADVENTURE TELEVISED COLOR WASNT BROADCAST POPULAR MEDIUM DIRECT TO VIDEO ORIGINAL VIDEO ANIMATION ORIGINAL ANIMATION VIDEO EMERGENCE THE INTERNET ONLINE ORIGINAL THE HOME POPULARIZED LASERDISC NTSC VIDEO FORMAT THE UNITED STATES AIDING THE RISING LASER DISC THE DVD UNIQUE ADVANTAGES MULTIPLE SUBTITLING DUBBING TRACKS USAGE REGION CODING INDUSTRY SOLVE PIRACY EXPORT PROBLEMS RESTRICTED REGION VIDEO CD HONG KONG MINOR BOOTLEG THE EARLY FILMMAKERS EXPERIMENTED PRIVATE WORK UNKNOWN PROFESSIONAL PUBLICLY DISPLAYED SEITAROU KITAYAMA SURVIVING CLIP SAMURAI TRYING SWORD TARGET SUFFER THE GREAT EARTHQUAKE DESTRUCTION INFRASTRUCTURE THE DESTRUCTION OF ALTERNATIVE SUFFERED COMPETITION FOREIGN PRODUCERS YASUJI MURATA CUTOUT ANIMATION CEL ANIMATION MITSUYO SEO GREAT STRIDES TECHNIQUE PATRONAGE EMPLOYED PRODUCE SHORTS PROPAGANDA TALKIE CHIKARA TO ONNA NO YO NO NAKA ARTISTS ORGANIZATIONS THE SHIN SHIN NIPPON MANGAKA MOMOTAROS DIVINE SEA WARRIORS SPONSORSHIP THE IMPERIAL JAPANESE NAVY THE WALT DISNEY COMPANY FEATURE FILM SNOW WHITE AND THE SEVEN DWARFS MANGA ARTIST ANIMATOR DISNEY ANIMATION REDUCE COSTS LIMIT NUMBER FRAMES MEASURE MATERIAL SCHEDULE THREE TALES ON TELEVISION TELEVISION SERIES OTOGI MANGA CALENDAR SAW SURGE MANGA COMIC BOOKS GRAPHIC NOVEL THE WORK DREW PARTICULAR ATTENTION LEGEND THE GOD PIONEERS THE FIELD INSPIRED FUNDAMENTAL ELEMENTS OF THE GIANT ROBOT MECHA SHAPE DEVELOPED SUPER ROBOT GO NAGAI REVOLUTIONIZED AT THE END THE DECADE YOSHIYUKI TOMINO THE REAL ROBOT ANIME GUNDAM THE SUPER DIMENSION FORTRESS MACROSS INSTANT CLASSICS THE ROBOT COMMON WORLDWIDE ACCEPTED MAINSTREAM LESS THAN EXPERIENCED BOOM ADAPTATIONS MARKETS ACCEPTANCE THE TURN OF THE CENTURY SPIRITED AWAY THE GOLDEN BEAR THE BERLIN INTERNATIONAL FILM FESTIVAL THE ACADEMY AWARDS THE ACADEMY ANIMATED FEATURE TARGET DEMOGRAPHIC KODOMO SHOUNEN RANGE ADULT SHOUJO SOMETIMES ELEMENTS CHILDREN SEXES GAIN CROSSOVER FEATURE PACE GREATER PLOT COMPLEXITY YOUNGER FIND THEMES SUBSET HENTAI PERVERT VARIETY SUBGENRES DEMOGRAPHIC GROUPS ECCHI SEXUAL SEXUAL INTERCOURSE HAREM ADOLESCENT ENTHUSIASTS INCORPORATION OF FAN SERVICE ANIMES CLASSIFICATION LEND ITSELF SIMPLE GILLES POITRAS LABELING COMPLEX DEPICTION WAR GIANT ROBOT AKIN SIMPLY WAR AND PEACE WAR NOVEL SCIENCE FICTION HISTORICAL ASTRO BOY SUBGENRE OF SCIENCE FICTION GUNDAM METASERIES FANTASY GENRE ASIAN WESTERN TRADITIONS FOLKLORE FEUDAL FAIRYTALE SCANDINAVIAN GODDESSES MOVE COMPUTER YGGDRASIL OH MY GODDESS CROSSING THE BLEND FANTASY COMEDY DRAGON HALF SLAPSTICK HUMOR THE CRIME CASTLE OF CAGLIOSTRO MAGICAL GIRL MARTIAL MEDIEVALISM EXPLORE HOMOSEXUAL YAOI YURI TERMS DESCRIBE FOCUS DEVELOPMENT OF ROMANTIC COMEDIC EFFECT SYMPATHETICALLY WIDE FROM ONE NO ONE SHARE SIMILAR VOICE ACTING DESIGN INCREASINGLY IMPROVE EFFICIENCY EXPERIMENTAL IMAGES DRAWN STOP MOTION ANIMATION PAPER SILHOUETTE ANIMATION DOMINATE LIMITED INDEPENDENT SHORT FILMS STOP MOTION PUPPET ANIMATION TADAHITO MOCHINAGA COMPUTERS INTEGRATED PROCESS GHOST IN THE SHELL PRINCESS MONONOKE MIXING FUJI FILM PRODUCTION COMPANY ANNOUNCED STOP PANIC PROCURE IMPORTS THE SWITCH DIGITAL DIGITAL ERA TRADITIONAL ANIMATION POSE TO POSE THE MAJORITY USES FEWER KEY FRAME LIMITED ANIMATION DISTINCT EMPHASIS THE ART QUALITY MAKE UP SPENT MEET ARTISTIC INSTRUMENTAL THE ATMOSPHERE ALWAYS INVENTED REAL HOWLS MOVING CASTLE THE MELANCHOLY OF HARUHI SUZUMIYA RARE PUTTING COMES OUT LOOKING IMPRESSIVE CIN