WILHELM RICHARD WAGNER GERMAN THEATRE DIRECTOR POLEMIC CONDUCTOR OPERAS LATER WORKS MUSIC DRAMAS OPERA WAGNER LIBRETTO THE MUSIC FOR EACH STAGE REPUTATION COMPOSER THE ROMANTIC VEIN WEBER MEYERBEER CONCEPT GESAMTKUNSTWERK TOTAL WORK OF ART MUSICAL DRAMATIC ARTS SUBSIDIARY VISION ESSAYS PUBLISHED IDEAS FULLY HALF CYCLE DER RING DES NIBELUNGEN RING OF THE NIBELUNG PARTICULARLY COMPLEX RICH HARMONIES ORCHESTRATION LEITMOTIF PHRASES PLOT MUSICAL LANGUAGE EXTREME QUICKLY SHIFTING TONAL DEVELOPMENT OF CLASSICAL TRISTAN UND ISOLDE SOMETIMES MARKING START MODERN MUSIC OPERA HOUSE BAYREUTH FESTSPIELHAUS NOVEL DESIGN THE RING PARSIFAL HERE CONTINUE PERFORMED ANNUAL FESTIVAL RUN DESCENDANTS THOUGHTS CONTRIBUTIONS DRAMA WERE TO CHANGE REINTRODUCED TRADITIONAL LAST DIE MEISTERSINGER VON MASTERSINGERS WAGNERS POLITICAL TURBULENT LOVE AFFAIRS POVERTY FLIGHT CONTROVERSIAL WRITINGS POLITICS COMMENT EXPRESS ANTISEMITIC THE EFFECT THE ARTS THE CENTURY INFLUENCE SPREAD BEYOND COMPOSITION VISUAL ARTS RICHARD WAGNER ETHNIC GERMAN FAMILY LEIPZIG HIS FAMILY LIVED HOUSE OF THE RED WHITE JEWISH QUARTER BAPTIZED THOMAS CHURCH NINTH CHILD CARL FRIEDRICH CLERK POLICE JOHANNA DAUGHTER FATHER CARL DIED TYPHUS MONTHS RICHARDS AFTERWARDS MOTHER THE ACTOR PLAYWRIGHT LUDWIG GEYER IN AUGUST GEYER PROBABLY DOCUMENTATION CHURCH REGISTERS WILHELM RICHARD ALMOST CERTAINLY THOUGHT BIOLOGICAL FATHER LOVE THE THEATRE STEPSON HIS AUTOBIOGRAPHY MEIN LEBEN ONCE PLAYING THE PART PASTOR SCHOOL PIANO INSTRUCTION LATIN PLAY PROPER SCALE KEYBOARD PLAYING THEATRE OVERTURES DEATH SENT KREUZSCHULE BOARDING SCHOOL DRESDNER KREUZCHOR EXPENSE THE AGE NINE THE GOTHIC ELEMENTS CARL MARIA VON WEBER SAW PERIOD ENTERTAINED CREATIVE STANDARD LISTING TRAGEDY LEUBALD BEGUN THE PLAY SHAKESPEARE GOETHE DETERMINED PERSUADED MUSIC LESSONS THE FAMILY LESSONS IN HARMONY TAKEN CHRISTIAN GOTTLIEB HEARD BEETHOVEN SYMPHONY COMPOSERS GEWANDHAUS MAJOR PIANO TRANSCRIPTION OF MOZART REQUIEM PIANO SONATA ATTEMPTS AT ORCHESTRAL OVERTURE DATE DRAMATIC SOPRANO WILHELMINE IDEAL FUSION LOOK MY ENTIRE LIFE FIND EVENT IMPRESSION CLAIMED HUMAN ECSTATIC INCOMPARABLE ARTIST ALMOST DEMONIC LEIPZIG UNIVERSITY MEMBER SAXON STUDENT FRATERNITY THOMASKANTOR THEODOR WEINLIG ABILITY REFUSED PAYMENT ARRANGED PUPILS DEDICATED TO SYMPHONY IN C MAJOR WORK PRAGUE LEIPZIG GEWANDHAUS DIE HOCHZEIT NEVER BROTHER ALBERT FOR HIM POSITION CHOIR MASTER COMPLETE DIE FEEN FAIRIES THE STYLE MUNICH BRIEF MUSICAL DIRECTOR AT THE OPERA HOUSE MAGDEBURG DAS LIEBESVERBOT BAN ON LOVE SHAKESPEARES MEASURE FOR MEASURE THIS WAS CLOSED THE FINANCIAL COLLAPSE COMPANY LEFT THE COMPOSER SERIOUS MONEY FALLEN LEADING LADIES THE ACTRESS CHRISTINE MINNA PLANER DISASTER HELPED ENGAGEMENT MARRIED TRAGHEIM CHURCH MINNA RIGA THE RUSSIAN EMPIRE MUSIC DIRECTOR THE LOCAL CAPACITY ENGAGED SISTER AMALIE RELATIONS THE COUPLE DEBTS FLED CREDITORS DEBT PLAGUE STORMY SEA PASSAGE DREW THE INSPIRATION THE FLYING DUTCHMAN SKETCH HEINRICH HEINE SETTLED IN PARIS IN SEPTEMBER LIVING WRITING ARRANGING BEHALF SCHLESINGER PUBLISHING HOUSE FOURTH RIENZI THE STRONG SUPPORT GIACOMO MEYERBEER ACCEPTED COURT THEATRE IN THE KINGDOM SAXONY RELIEF RETURNING GERMANY AUTOBIOGRAPHIC SKETCH EN ROUTE THE FIRST TIME THE RHINE TEARS IN MY EYES ETERNAL FIDELITY THE NEXT EVENTUALLY THE ROYAL COURT MIXED ARTISTIC CIRCLES FERDINAND HILLER THE ARCHITECT GOTTFRIED SEMPER WELCOME ACTIVE SOCIALIST NATIONALISTS THE CONDUCTOR RADICAL EDITOR THE RUSSIAN ANARCHIST MIKHAIL BAKUNIN PROUDHON LUDWIG FEUERBACH MAY UPRISING IN DRESDEN BROKE MINOR SUPPORTING ROLE THE REVOLUTIONARIES HAD TO PARIS SETTLING REFUGE ALEXANDER WAS TO SPEND TWELVE EXILE LOHENGRIN THE LAST FRIEND FRANZ LISZT LISZT CONDUCTED PREMIERE WEIMAR GRIM PERSONAL THE GERMAN WORLD REGULAR THE WIFE PENSION HELP JESSIE SUM OF THALER PLAN ABANDONED AFFAIR PLANNED ELOPEMENT WIFE WRITTEN FALLING DEPRESSION FELL ERNEST NEWMAN MATTER OVERWROUGHT NERVES PRIMARY OUTPUT FIRST YEARS THE ARTWORK OF THE FUTURE THE VARIOUS ARTS STAGECRAFT JUDAISM IN MUSIC FEATURE JEWS NO CONNECTION THUS ONLY SHALLOW ARTIFICIAL POPULARITY FINANCIAL GENUINE WORKS OF ART OPERA AND DRAMA AESTHETICS CREATE LEAVING DRAFTED SCENARIO ARRIVING STORY THE OPERA JUNGE HEROS TEXT THE CYCLE VALKYRIE DAS RHEINGOLD RHINE GOLD REVISING THE OTHER THE CONCEPT EFFECTIVELY PREVIOUSLY UP TO ATTEMPT EXPLAIN AUTOBIOGRAPHICAL COMMUNICATION FRIENDS PUBLIC ANNOUNCEMENT OF WHAT WAS THE RING CYCLE SHALL WRITE WISH INVENT ARBITRARY WILL CALL PRODUCE MYTH PRELUDE FUTURE THE COURSE THREE DAYS IMMEDIATELY THE THIRD RING SIMPLY THE WORK ASIDE NEW IDEA ARTHURIAN LOVE STORY TRISTAN AND ISEULT INSPIRATION THE PHILOSOPHY OF ARTHUR SCHOPENHAUER THE WORLD AS WILL POET GEORG HERWEGH CIRCUMSTANCES CERTAINLY EASY CONVERT UNDERSTOOD DEEPLY PESSIMISTIC VIEW THE HUMAN CONDITION SCHOPENHAUER FOR THE REST OF HIS LIFE DOCTRINES SUPREME ROLE DIRECT EXPRESSION WORLDS DOCTRINE CONTRADICTED SCHOLARS CAUSED SCHOPENHAUERIAN SECOND SOURCE INFATUATION MATHILDE WESENDONCK SILK MERCHANT OTTO WESENDONCK LOANS FINANC