ABSTRACT ART USES VISUAL LANGUAGE COLOR CREATE COMPOSITION EXIST DEGREE VISUAL REFERENCES IN THE WORLD WESTERN ART THE RENAISSANCE UP TO THE MIDDLE LOGIC PERSPECTIVE ATTEMPT REPRODUCE ILLUSION VISIBLE THE ARTS CULTURES THE EUROPEAN ACCESSIBLE ALTERNATIVE EXPERIENCE THE END THE CENTURY ARTISTS FELT NEED TO KIND CHANGES TAKING SCIENCE SOURCES DREW THEORETICAL ARGUMENTS SOCIAL INTELLECTUAL PREOCCUPATIONS AREAS WESTERN CULTURE THAT TIME NONFIGURATIVE ART RELATED IDENTICAL ABSTRACTION DEPARTURE REALITY DEPICTION IMAGE ACCURATE VERISIMILITUDE HIGHEST SAID TO THEORETICALLY PERFECT ARTWORK TAKES INSTANCE TOTAL BEARS NO TRACE REFERENCE ANYTHING RECOGNIZABLE GEOMETRIC ABSTRACTION FIND FIGURATIVE ART ALMOST MUTUALLY EXCLUSIVE REPRESENTATIONAL REALISTIC LYRICAL ABSTRACTION TOTALLY ART MOVEMENTS FAUVISM ALTERED CUBISM ALTERS THE FORMS THE REAL THE ART OF SIGNS MARKS INSCRIPTIONS PAINTINGS ON ROCK GEOMETRIC LINEAR FORMS MIGHT LEVEL MEANING ENJOY BEAUTY CHINESE CALLIGRAPHY ISLAMIC CALLIGRAPHY ABLE READ ART MOVEMENT DEVELOPMENT OF ROMANTICISM IMPRESSIONISM EXPRESSIONISM ARTISTIC ADVANCED PATRONAGE CHURCH DIMINISHED PRIVATE THE PUBLIC LIVELIHOOD JAMES MCNEILL WHISTLER PAINTING NOCTURNE IN BLACK AND GOLD FALLING ROCKET GREATER EMPHASIS VISUAL SENSATION OBJECTIVE INTEREST JOHN CONSTABLE TURNER CAMILLE COROT THE IMPRESSIONISTS PLEIN AIR PAINTING THE BARBIZON SCHOOL PAUL BEGUN IMPRESSIONIST LOGICAL CONSTRUCTION OF REALITY BASED VIEW COLOUR FLAT BASIS DEVELOPED GEORGES BRAQUE PABLO PICASSO EXPRESSIONIST PAINTERS BOLD PAINT DRAWING DISTORTIONS EXAGGERATIONS INTENSE EXPRESSIONISTS EMOTIONALLY PERCEPTIONS CONTEMPORARY CONSERVATIVE DIRECTIONS CHANGED SUBJECT MATTER PSYCHOLOGICAL EDVARD MUNCH JAMES ENSOR THE WORK INSTRUMENTAL THE ADVENT EASTERN EUROPE MYSTICISM MODERNIST RELIGIOUS PHILOSOPHY THEOSOPHIST BLAVATSKY IMPACT PIONEER WASSILY KANDINSKY HILMA KLINT MYSTICAL TEACHING GEORGES GURDJIEFF OUSPENSKY INFLUENCE THE EARLY ABSTRACT PIET MONDRIAN COLLEAGUES POST IMPRESSIONISM PAUL GAUGUIN GEORGES SEURAT VINCENT VAN GOGH THE HERITAGE PAINTERS VAN GOGH GAUGUIN SEURAT ESSENTIAL MODERN ART AT THE BEGINNING HENRI MATISSE YOUNG ARTISTS DERAIN RAOUL DUFY MAURICE DE VLAMINCK REVOLUTIONIZED PARIS ART WORLD WILD EXPRESSIVE LANDSCAPES FIGURE CRITICS OF COLOR FREE IMAGINATIVE COMES CLOSE PURE FRENCH WINDOW COLLIOURE THE YELLOW CURTAIN LANGUAGE THE FAUVES DEPENDS THE ART THE DOOR CUBIST IDEA NATURE REDUCED CUBE SPHERE CONE THE PAINTING LES DEMOISELLES DAVIGNON PICASSO DRAMATICALLY RADICAL PICTURE DEPICTING PRIMITIVE BROTHEL SCENE VIOLENTLY PAINTED REMINISCENT AFRICAN TRIBAL MASKS ANALYTIC CUBISM CLEAR SYNTHETIC CUBISM FERNAND JUAN GRIS ALBERT GLEIZES MARCEL DUCHAMP INTRODUCTION COLLAGE VARIETY MERGED KURT SCHWITTERS MAN RAY THE CLUE THE MOVEMENT DADA THE ITALIAN POET MARINETTI PUBLISHED MANIFESTO OF FUTURISM INSPIRED CARLO CARRA NOISES SMELLS UMBERTO BOCCIONI TRAIN STAGE THE SALON DE LA SECTION DOR THE POET GUILLAUME APOLLINAIRE ROBERT SONIA DELAUNAY ORPHISM DEFINED THE ART OF PAINTING STRUCTURES ELEMENTS THE TURN OF THE CENTURY CULTURAL CONNECTIONS THE MAJOR EUROPEAN AMERICAN CITIES ACTIVE EQUAL TO THE HIGH MODERNISM IDEAS MEANS EXHIBITIONS MANIFESTOS OPEN EXPERIMENTATION DIVERSITY MODES EXTRACT WORLD IMPRESSION CULTURE DAVID BURLIUK MOVEMENTS MUST KNAVE OF DIAMONDS EXHIBITION SENT THE GERMAN WORK ROBERT DELAUNAY THE SPRING GAVE LECTURES PLANNED POLEMICAL WAS TO DETERMINED RIVAL ALMANAC DER BLAUE REITER EXPERIMENTAL THE SEARCH FRANCIS PICABIA CAOUTCHOUC DANCES THE PROCESSION UNTITLED IMPROVISATION CIRCLE DISCS NEWTON FUGUE TWO COLORS DEUX ENTITLED WINDOWS SOLEIL COLORED RHYTHM TABLEAU DRAWINGS NATALIA GONCHAROVA MIKHAIL LARIONOV LINES LIKE RAYS LIGHT KASIMIR MALEVICH SUPREMATIST BLACK SQUARE GROUP LIUBOV POPOVA CONSTRUCTIONS FORCE HORIZONTAL AND VERTICAL RECTANGLES AESTHETIC THEO VAN DOESBURG THE GROUP DE STIJL ENVIRONMENT VISUAL ART MUSIC SOUND DIVISIONS HIMSELF THE POSSIBILITY ASSOCIATIVE THE IDEA FORWARD CHARLES BAUDELAIRE SENSES RESPOND THE SENSES CONNECTED DEEPER SPIRITUAL DIMENSION REACHING SPIRITUAL PLANE THE THEOSOPHICAL SOCIETY POPULARIZED THE ANCIENT WISDOM SACRED BOOKS INDIA CHINA CONTEXT STATE THE OCCULT INNER OBJECT THE UNIVERSAL TIMELESS SHAPES GEOMETRY SQUARE TRIANGLE SYSTEMS UNDERLYING IN RUSSIA LONGER SOMETHING REMOTE ITSELF THE ARTIST LEARNING TOOLS MATERIALS MODERN VLADIMIR TATLIN THE FUTURE VARVARA STEPANOVA ALEXANDRE EXTER ABANDONED EASEL PAINTING DIVERTED ENERGIES THEATRE DESIGN GRAPHIC THE OTHER SIDE STOOD KAZIMIR MALEVICH ANTON PEVSNER NAUM GABO ACTIVITY INDIVIDUALS ORGANIZE MATERIALISTIC HOSTILE MATERIALIST PRODUCTION LEFT TO FRANCE GABO ENGLAND FINALLY MOSCOW THE BAUHAUS THE REVOLUTIONARY PERIOD EXPERIMENT THE ONLY SOCIALIST REALISM GERMANY WALTER GROPIUS PHILOSOPHY PROGRAM UNITY PLASTIC ARTS ARCHITECTURE WEAVING STAINED CRAFTS DEUTSCHER WERKBUND TEACHERS PAUL KLEE JOHANNES ITTEN JOSEF ALBERS ANNI ALBERS THE SCHOOL DESSAU THE NAZI PARTY CONTROL DEGENERATE ART ENTARTETE KUNST THE EXODUS GENERAL LONDON SWITZERLAND THE HOST