VISUAL ARTS MUSIC MINIMALISM STYLE USES DESIGN THE ARTS WAR II WESTERN AMERICAN ARTISTS DONALD JUDD AGNES MARTIN DAN FLAVIN ROBERT MORRIS ANNE TRUITT FRANK STELLA MODERNISM INTERPRETED REACTION ABSTRACT EXPRESSIONISM BRIDGE POSTMINIMAL FEATURES REPETITION LA MONTE YOUNG TERRY RILEY STEVE REICH PHILIP GLASS JOHN ADAMS TERM MINIMALIST COLLOQUIALLY ANYTHING SPARE STRIPPED USED TO DESCRIBE NOVEL SAMUEL BECKETT FILMS ROBERT BRESSON THE STORIES RAYMOND CARVER THE AUTOMOBILE DESIGNS COLIN CHAPMAN THE WORD ENGLISH IN THE EARLY COMPOSITION THE RUSSIAN PAINTER KASIMIR MALEVICH BLACK SQUARE WHITE GROUND VISUAL GENERALLY MINIMAL ART ABC ART NEW YORK OLDER TOWARD GEOMETRIC ABSTRACTION PAINTING CASES KENNETH NOLAND AL HELD ELLSWORTH KELLY ROBERT RYMAN SCULPTURE THE WORKS VARIOUS ARTISTS DAVID SMITH ANTHONY CARO TONY SMITH SOL LEWITT CARL ANDRE JUDDS THE GREEN GALLERY MANHATTAN FLAVINS FLUORESCENT LIGHT LEADING THE LEO CASTELLI GALLERY PACE GALLERY SHOWCASE FOCUSED ADDITION MUSEUM EXHIBITIONS PRIMARY STRUCTURES YOUNGER AMERICAN AND BRITISH JEWISH MUSEUM ORGANIZED MUSEUMS CURATOR KYNASTON MCSHINE SYSTEMIC SOLOMON LAWRENCE ALLOWAY THE AMERICAN ART WORLD SHAPED CANVAS COLOR FIELD THE WAKE THE ART BROAD GENERAL FINDS EUROPEAN ROOTS PAINTERS THE BAUHAUS KAZIMIR MALEVICH PIET MONDRIAN DE STIJL CONSTRUCTIVIST MOVEMENT THE WORK THE ROMANIAN SCULPTOR FRANCE YVES KLEIN MONOTONE SYMPHONY SUSTAINED CHORD SILENCE PRECEDENT DRONE MUSIC CAGES KLEIN PAINTED PRIVATE EXHIBITION WORK IN PUBLIC SHOWING PUBLICATION ARTISTS BOOK YVES PEINTURES INSPIRED PAINTINGS BARNETT NEWMAN AD REINHARDT JOSEF ALBERS DIVERSE PABLO PICASSO MARCEL DUCHAMP GIORGIO MORANDI PAINTERLY SUBJECTIVITY DOMINANT NEW YORK SCHOOL ARTIST CRITIC THOMAS LAWSON ARTFORUM ESSAY LAST EXIT REJECT CLEMENT GREENBERG CLAIMS MODERNIST REDUCTION SURFACE MATERIALS SO MUCH LAWSON EVEN THOUGH EMBRACED DESIGNATED CRITICS TAKING EXCEPTION CLAIM HIMSELF POSTSCRIPT MODERNIST PAINTING DISAVOWED INTERPRETATION OF GREENBERG CONSTRUCTIONS OF WHAT I WROTE GO OVER FLATNESS LIMITING CONDITIONS PICTORIAL AESTHETIC QUALITY WORK BOUND THE PHILOSOPHER ART HISTORIAN ANYONE AT AT JUDGMENTS READS HERSELF CONTRAST PREVIOUS DECADES ABSTRACT EXPRESSIONISTS THE EXCEPTIONS MINIMALISTS COMPOSERS JOHN CAGE LAMONTE YOUNG POET WILLIAM CARLOS WILLIAMS LANDSCAPE ARCHITECT FREDERICK LAW OLMSTED ABOUT SELF PHILOSOPHY THEIRS GEOMETRIC CUBIC PURGED METAPHOR EQUALITY NEUTRAL THEORIST NOTES PUBLISHED ATTEMPTED DEFINE CONCEPTUAL FRAMEWORK FORMAL ELEMENTS CONTEMPORARIES ESSAYS PAID ATTENTION THE IDEA GESTALT CREATE MAXIMUM RESISTANCE PERCEPTUAL MARKED LATERAL SPREAD UNITS BEYOND INDETERMINACY PARTS LITERAL ASPECT PHYSICAL EXISTENCE THE GENERAL SHIFT IN THEORY OF EXPRESSION SUGGESTS THE TRANSITION POSTMINIMALISM WHOSE BLACK PAINTINGS AMERICANS DOROTHY MILLER THE MUSEUM OF MODERN ART WIDTH THE STRIPES FRANK DETERMINED THE DIMENSIONS LUMBER VISIBLE DEPTH THE PAINTING VIEWED CONSTRUCT CHASSIS CANVAS DECISIONS STRUCTURES ON THE FRONT THEREFORE FEATURE CONSTRUCTION OF THE SHOW NECESSARY PAINT STRIPES THERE IS NOTHING ELSE SHARP APPARENTLY EMOTIONALLY WILLEM DE KOONING FRANZ KLINE TERMS GENERATION LESS GESTURAL MARK ROTHKO STELLA MOMA GENE DAVIS ROBERT MOTHERWELL BEGUN EXPLORE MONOCHROMATIC ILLUSIONISTIC AWAY SCULPTURAL CREATOR ARTS YEARBOOK TOUCHSTONE THEORY THE FORMATION OF JUDD STARTING POINT NEW TERRITORY REJECTION RESIDUAL INHERITED ARTISTIC EVIDENCE DEVELOPMENT ARRAY ACTIVE JASPER JOHNS LEE BONTECOU IMPORTANCE GEORGE EARL ORTMAN DISTILLED SPACE IDENTITY ITSELF EASY ASSOCIATION VALUE ART CRITICS THOUGHT THE MODERN DIALECTIC DEFINED ARGUABLY PERIOD UP TO CRITIQUE MICHAEL FRIED BASIS THEATRICALITY OBJECTHOOD THE MINIMAL WORK OF ART PARTICULARLY MINIMAL ENGAGEMENT THE SPECTATOR THE ACT VIEWING TYPE ARTIFICE OBSERVATION PARTICIPATION UNVEILED FRIED SAW DISPLACEMENT EXPERIENCE EVENT OUTSIDE ARTWORK FAILURE IMMEDIATELY POSTMINIMALIST EARTH ROBERT SMITHSON LETTER TO THE EDITOR ISSUE SMITHSON FEARS CONSCIOUSNESS ALREADY ROBERT MANGOLD LARRY BELL CHARLES HINMAN RONALD BLADEN PAUL RONALD DAVIS DAVID BRICE MARDEN BLINKY PALERMO JO BAER FRED SANDBACK RICHARD SERRA PATRICIA JOHANSON ACTUALLY ABSTRACT EXPRESSIONIST NEARLY ANTICIPATE APPROACH THE MORE STUFF LESS IS MORE THE EYE MENACE CLEAR LAYING BARE ONESELF BEGINS HANS HOFMANN NATURE THE SOURCE FAMOUS EXCHANGE JACKSON POLLOCK LEE KRASNER INTERVIEW DOROTHY STRICKLER THE SMITHSONIAN INSTITUTION ARCHIVES OF AMERICAN ART MEET POLLOCK THE QUESTIONS ASKED JACKSON STILL LIFES ANSWER REPLY IF YOU BY HEART YOU WILL YOURSELF AT ALL THE MEETING TREND DESIGN AND ARCHITECTURE SUBJECT REDUCED JAPANESE TRADITIONAL MAJOR REFERENCE IDEAS LINES ARCHITECT LUDWIG MIES VAN DER ROHE THE MOTTO TACTIC ARRANGING COMPONENTS BUILDING IMPRESSION EXTREME ENLISTED ELEMENT DETAIL SERVE MULTIPLE FUNCTIONAL DESIGNING FLOOR MASSIVE FIREPLACE THE BATHROOM DESIGNER BUCKMINSTER FULLER ENGINEERS GOAL MORE WITH LESS ORIENTED TECHNOLOGY ENGINEERING RATHER SIMILAR INDUSTRIAL DESIGNER DIETER RAMS LESS BUT BETTER LUIS MODERN ARCH