MINIMALISM ARTISTS MAJOR THE ART STORY SHARE VISIT OUR COMMUNITY SUPPORT WORK DONATE YOUR GUIDE MODERN MOVEMENTS 1960S TABLE OF CONTENTS WORDS PAINTING SCULPTURE CONNOTE TRADITION CONSEQUENT ACCEPTANCE THUS LIMITATIONS ON THE ARTIST GOES BEYOND SOL LEWITT SURFACE SOMETHING ITSELF DONALD JUDD ARTIST PERSON SAYS ARTWORK CARL ANDRE CATEGORIES ALWAYS HAVE TO WHATEVER FRANK STELLA CONSIDER SPACE ARTICULATION PRECEDENCE ATTEMPT SCULPTURAL RICHARD SERRA INFORMATION THINKING ROBERT MORRIS TRANSCENDENCE SPIRITUAL HEROIC INTELLIGENT INTERESTING VISUAL STEEL THE OBJECT BECOME ONE THOUGHT BETTER THAN MY HANDS DAN FLAVIN VIEW PAGE AMERICAN MINIMALIST WHOSE PROMINENCE ROSE PUBLIC ARTWORKS LINEAR PRIMARY STRUCTURES GROUP EXHIBITION JEWISH CONSTRUCTIONS OF COLOR AND LIGHT NOTHING MORE DOZEN FLUORESCENT BULBS FIGURE LIGHT ALTERED PHYSICAL RATHER EXTERNAL INFO ROBERT IRWIN LANDSCAPE ARCHITECT INSTALLATION ARTIST ABSTRACT EXPRESSIONIST IRWIN NATIVE LOS ANGELES DEVOTED HIMSELF THE CENTRAL GARDEN GETTY CENTER GEOMETRIC MATERIALS ARRANGED ON THE FLOOR HELPED CHINATI FOUNDATION KENNETH NOLAND PAINTER PIONEER FAMOUS CONSIST RIPPLES PAINT ONTO PROCESS SCULPTURES LEAD GIGANTIC PIECES IN PUBLIC PAINTINGS SHAPED CANVASES UNDERSCORE THE IDEA THE PAINTING INFLUENCE ICONIC NESTED BLACK WHITE STRIPES BRIGHT LIKES RAUSCHENBERG EXHIBIT EMPLOYED SIMPLE ARCHETYPAL VARIETY MEDIA BEHIND AGNES MARTIN TIMES ABSTRACT EXPRESSIONISM EASTERN TAOIST PHILOSOPHY ELEMENTS PAINTING STYLE GRID PATTERNS SOFT COLUMN FELT FABRIC BODY ART EARTHWORKS EMPHASIS THEATRICALITY FACEBOOK WORK OF ART NEEDS NEW YORK THE EARLY RECENT STALE WAVE YOUNGER QUESTION CONVENTIONAL BOUNDARIES THE COOL ANONYMITY EXPRESSIVE PAINTERS SYMBOLISM EMOTIONAL ATTENTION MATERIALITY THE END IN AMERICA EUROPE COMBINATION MUSEUM ART DEALERS PLUS SYSTEMS PRIVATE GOVERNMENT ALREADY AUTHORITY TESTAMENT THEMSELVES ABSTRACT EXPRESSIONISTS SUGGESTIONS BIOGRAPHY DENIAL EXPRESSION COUPLED WITH INTEREST APPEARANCE FINE ART THE CREATION AESTHETIC ACTIVE RUSSIAN CONSTRUCTIVISM CONSTRUCTIVIST APPROACH MODULAR PREFERENCE CRAFT TECHNIQUES TRADITIONAL READYMADES OF MARCEL DUCHAMP THE EMPLOYMENT PREFABRICATED MINIMALISTS DEFINITIONS MEANING TIED NARRATIVE PHYSICAL SPACE FORCED VIEWER THE ARRANGEMENT SCALE EXPERIENCE AGILITY MATERIAL BREAKDOWN NOTIONS REJECTED THE FORMALIST DOGMA ESPOUSED THE CRITIC CLEMENT GREENBERG THE ART OF PAINTING THE MINIMALISTS DEMOCRATIC POINT OF VIEW OUT IN WRITINGS EXHIBITIONS LEADERS TONY SMITH SPECIFICATIONS CUBE DIAGONAL INTERNAL BRACING THE DIMENSIONS THE HUMAN BODY SMITH EXPLAINED ENDOWED STATURE SMALLER REDUCED MERE WEIGHING POUNDS THE MUSEUM WALK TWO SIDES UNREADABLE FRANK LACK VISUAL APPEAL COME ACROSS ALMOST HOSTILE UNDERMINING UNDERSTANDINGS AESTHETICALLY EMOTIONALLY SHOWING REJECTION ABSTRACTION MULTIPLE DIE CASTING PAIR FEET SUGGESTION FOOT RATIONALITY EVOKED GEOMETRIC CONFIGURATION BROODING INTERPLAY WORD AND OBJECT WEAVING STRAINS INDUSTRIAL MANUFACTURE FOUND OBJECT THE WAY HOW IT UNDERSTOOD READ IN FOCUS OVERVIEW BELOW MODERNIST NEW YORK CITY YOUNG ARTISTS DOMINANT VEIN DRIFTING TOWARD NEW DIRECTIONS INSPIRED EUROPEAN THE DUTCH DE STIJL THE RUSSIAN THE GERMAN BAUHAUS MUSEUMS AND GALLERIES VISUAL ARTS GOING CENTRAL PURE PROMOTED DYNAMIC TENSION CANVAS FLATNESS THE PICTURE LONGER PRETEND TO BE WINDOW HOMAGE THE SQUARE JOSEF ALBERS TEACHER THE BAUHAUS SQUARES PICTORIAL DEPTH ILLUSION COLOR CONTRASTS VLADIMIR TATLIN IN RUSSIA TECHNOLOGY THE MACHINE HIS COUNTRY UTOPIAN IDEALIST WANTED THE SERVICE EVERYDAY LIFE THE ROMANIAN CONSTANTIN BRANCUSI THE ENDLESS COLUMN TOWER IDENTICAL RHOMBOID SHAPES INFINITY COSMIC BELIEFS IDEAS MARCEL DUCHAMP CAREER REDEFINITION PERSONA RELATIONSHIP SOPHISTICATED CONDEMNED PRACTICE COMBINED PAINTING KINETIC STATIC LATE MODERNISM GAVE THE OPPORTUNITY WORLD DEFINED INTUITIVE GESTURES AMERICAN ART CRITICAL WRITERS HAROLD ROSENBERG CONTRAST THE MORE MARK ROTHKO BARNETT NEWMAN THE POWER OF COLOR SIMPLICITY DESIGN COLOR FIELD ROTHKO LAID BROAD BANDS NEWMAN DISCOVERED THE SKINNY VERTICAL DIVIDED FIELDS ZONES FLAT PAINTED CASE THE ATMOSPHERE RADICAL AD REINHARDT SOLID MONOCHROMATIC RED OR BLACK EVIDENCE THE LAST THE NEXT GENERATION OF PRODUCE LESS PERSONAL SHOULD REFER TO ANYTHING ABANDONED NEITHER BLACK PAINTINGS STRETCHED WOODEN CHASSIS THRUST THE WALL AGGRESSIVELY OBJECTHOOD STATE THE POSSIBILITIES RECTANGLES FRAMED HUNG WALL PHYSICAL CHARACTERISTICS OF ARCHITECTURE CONTRADICTED PREVIOUS ACHIEVEMENT ECHOED THE WORK ABSTRACT PURSUED THEORIES ROBERT MANGOLD CONSTRUCTIONS PREVALENCE GEOMETRIC ABSTRACTION START ARTIN THE NEXT GENERATION MINIMAL CONCEPTUAL ART CONTEMPORANEOUS DETERMINE AESTHETICS CRITICAL RECEPTION OF PUBLISHED ATTEMPTED IN FACT NAME TERM SIMPLE FORMS INTERPRETATION OF DEPENDENT THE CONTEXT CONDITIONS ARGUMENT NOTION INHERENT DERIVED INDEPENDENT DEVELOPMENT OF LOOKS HAS TO LOOK LIKE PHYSICAL FORM NO MATTER FINALLY MUST BEGIN THE PROCESS CONCEPTION REALIZATION 40 YEARS DEATH INTERNATIONALLY PHOTOGRAPHER THE LEADER DEATHS ANDRE POETRY AR