MODERNITY ESSAY HEILBRUNN TIMELINE OF ART THE METROPOLITAN MUSEUM OF ART ESSAYS WORKS OF ART CHRONOLOGY SEARCH GROUP ARTISTS ANONYMOUS SOCIETY OF ORGANIZED EXHIBITION IN PARIS LAUNCHED THE MOVEMENT CLAUDE MONET EDGAR DEGAS CAMILLE PISSARRO AMONG OTHERS THE GROUP ANNUAL JURY ACADEMIE ARTWORKS AWARDED THE INDEPENDENT DIVERSE CONTEMPORARIES CONSERVATIVE CRITICS WORK PROGRESSIVE WRITERS DEPICTION MODERN LIFE EDMOND CONTEMPORARY SUBJECT MATTER INNOVATIVE STYLE REVOLUTION COLLECTIVE CHOOSING SUBSEQUENTLY NAME EVENTUALLY THE IMPRESSIONISTS TODAY REJECTION INCORPORATION OF TECHNOLOGY SUNRISE GAVE THE IMPRESSIONIST THE CRITIC LOUIS LEROY ACCUSED SKETCH THE TECHNIQUES BROKEN BRUSHSTROKES BARELY PURE EMPHASIS RATHER NEUTRAL IMPRESSIONISTS RENDERED SHADOWS HIGHLIGHTS IN COLOR LOOSE MASKS ALFRED SISLEY CHESTNUT TREES CASUAL ACCEPTED LANGUAGE ADDITION RADICAL BRIGHT COLORS IMPRESSIONIST SHOCKING EYES THE MORE SOBER ACADEMIC PAINTING CHOSE APPLY GOLDEN VARNISH PAINTERS USED TO TONE DOWN PAINTS THEMSELVES VIVID THE NINETEENTH CENTURY SAW DEVELOPMENT OF SYNTHETIC PIGMENTS SHADES OF BLUE YELLOW NEVER DOUARD MANET BOATING FEATURES EXPANSE CERULEAN BLUE FASHIONABLE BOATER COMPANION MATERIALS PAINT IMAGES SUBURBAN RURAL LEISURE OUTSIDE PARIS POPULAR MONET RENOIR LIVED THE COUNTRY RAILWAY LINES RADIATING TRAVEL VIRTUALLY FLOODED COUNTRYSIDE EVERY WEEKEND PISSARRO FOCUSED THE DAILY LOCAL PONTOISE BATHING FLOURISHED REGIONS FAVORITE LA GRENOUILLERE PAINTING STYLE FIGURE IMPRESSIONIST ART UP TO DATE LIGHT OF COLOR PARTICULAR MODERNIZATION LANDSCAPE RAILWAYS SIGNS INDUSTRIALIZATION BARBIZON PREVIOUS PRIME SITE LATE NINETEENTH CENTURY CITY OF ITSELF EMPEROR NAPOLEON III BARON HAUSSMANN LAID TEARING BUILDINGS CREATE OPEN SPACE SAFER NEW LOOK THE SIEGE WAR PARTS GUSTAVE CAILLEBOTTE ENTHUSIASTICALLY PAINTED NEW STYLE WIDE PUBLIC GARDENS GRAND TURNED SIGHTS INHABITANTS POPULATION EXPLOSION TREMENDOUS AMOUNT MATERIAL URBAN CHARACTERISTIC MIXING SOCIAL CLASSES IN PUBLIC DEGAS CAILLEBOTTE SINGERS BERTHE MORISOT MARY CASSATT NEW FORMS THEATRICAL ENTERTAINMENT IN THE LOGE FINE TAKING APPROACH SIMILAR NATURALIST MILE ZOLA FLEETING MOMENTS LIVES CHARACTERS RAINY ABANDONED SENTIMENTAL ADOPTING OBJECTIVE VIEW SUGGESTS GOING FLUID MEMBERSHIP THE COURSE THE EIGHT EXHIBITIONS NUMBER RANGING NINE ELDEST THE ONLY ARTIST EIGHT MORISOT IDEAS INDEPENDENT DISCUSSED THE PAINTER FREDERIC BAZILLE LEADING PHILOSOPHICAL POLITICAL DIFFERENCES DISPUTES CAUSING THE WORKS SIMPLY REFUSED THE SALON PAUL CEZANNE PAUL GAUGUIN WHOSE EARLY WORK THE LAST THE BEGINNING OF PHASE THE CORE CAUSED TENUOUS PROMOTED PARTICIPATION OF GEORGES SEURAT PAUL SIGNAC TECHNIQUE POINTS YOUNG GAUGUIN FORAYS PRIMITIVISM SYMBOLIST ODILON REDON THE NEED FACETS SEEMS THE LIGHT IMPRESSIONISM ENDURING SPRINGBOARD MARGARET INSTITUTE OF FINE ARTS NEW YORK UNIVERSITY CITATION READING IN THE MAKING EXHIBITION CATALOGUE NEW HAVEN NATIONAL ROBERT PARISIAN YALE UNIVERSITY PRESS NATURE CHARLES FINE ARTS MUSEUMS OF SAN SOURCES ENGLEWOOD CLIFFS THE HISTORY OF MUSEUM MODERN HENRI LOYRETTE ORIGINS METROPOLITAN MUSEUM OF ART RELATED PRIMARY PAINTING DRAWING JAPONISME MARY STEVENSON AFRICAN MODERN ART AMERICAN IMPRESSIONISM AMERICAN EVERYDAY LIFE AMERICANS AUGUSTE RENOIR AUGUSTE RODIN CUBISM BRONZE SCULPTURE HENRI MATISSE FRENCH REALISM ORIENTALISM ART PAUL GREAT BRITAIN AND IRELAND THE UNITED STATES LITERATURE BRITAIN EUROPEAN CONTEMPORARY ART ONLINE THE ARTIST PROJECT CONDO THE PATH IRISES CLOSE CAPTIONS CLOSE GARDEN DE LA REINE THE BRIDGE MADAME GEORGES FAMILY ARGENTEUIL THE DANCE CLASS MLLE THE CAFE COTE THE LOUVRE THE ETRUSCAN GALLERY YOUNG WOMAN SOFA YOUNG GIRLS THE PIANO DANCERS THE REHEARSAL ROOM DOUBLE BASS GIRL KNITTING THE GARDEN THE TUILERIES SPRING MORNING MAKERS KEYWORDS RIGHTS PRINT SHARE