IMPRESSIONISM ART MOVEMENT HOME MENU SKIP PRIMARY CONTENT TIMELINE OF ART ART MOVEMENTS RENAISSANCE ART BAROQUE ART ROCOCO NEOCLASSICAL ART ROMANTICISM ACADEMIC ART REALISM ART MOVEMENT MODERN ART TRAVEL LOVERS PARIS VENICE FLORENCE ROME SISTINE CHAPEL AUTHOR HOW TO IMPRESSIONIST ART LOOK PAINTINGS DABS WONDER THE ARTIST THE PAINTING WOMAN PARASOL CLAUDE MONET CLOSE IMPRESSIONIST SEEM STEPS YOUR EYES HAVE TO THE BOULEVARD MONTMARTRE AT NIGHT CAMILLE PISSARRO CLEAR LOOSE BRUSH STROKES RATHER BLENDING ONE COLOR THE NEXT ALMOST BOUNDARY THE STAR DANCER THE STAGE EDGAR DEGAS ARTISTS FASCINATED FLEETING INTERPLAY CLOUDS WATER PAINTED FEATHERY BRIGHT COLORS GIVE SUNRISE OUTDOOR SEASCAPES NOTICE PARTICULAR EMPHASIS SOCIAL LIFE RELAXING ON THE BEACH THE REGATTA MIDDLE CLASS SHOW SETTINGS OPERA HOUSES BALLET DOUARD MANET THE WORD ORIGIN MONET GAVE IT HAPPENED DECISION NO MORE MOMENT PERFECT NAMING CEREMONY ART STYLE THIS IS HOW ASKED PAINTING FRENCH HARBOUR RESPONSE TERM ACKNOWLEDGEMENT MERE IMPRESSION THE REAL ACQUIRE FULL SOLEIL DISPLAY CONSERVATIVE ART CRITIC LOUIS LEROY INSULT UNCONVENTIONAL WORK IN CONTEMPORARY LANGUAGE RECLAIMED THE WORDS SIMILAR EMBRACED LABEL RISE SOCIETY INDUSTRIALIZATION WESTERN EUROPE WORKING HOURS START WE DO PLANNED GOING TO THE BEACH VACATIONING COUNTRY HOUSE FASHIONABLE ESCAPE FILTHY CROWDED FACTORIES NOUVEAU RICHE THE MODERN LIFESTYLE INCOME SPARE TIME NO WONDER OVERDRESSED THE STANDARDS GOES RELAX REGULAR COMMERCIAL OPPORTUNITY DOCUMENT DOMESTIC PERIOD RELEVANT BIBLICAL THEMES DESTINED MUSEUMS THANKS TO INVENTION PAINT REVOLUTIONARY CHANGE PROCESS EN PLEIN AIR THE OPEN LONGER HAD TO SKETCH FINISH THE EARLY EUGENE BOUDIN MAJOR INFLUENCE YOUNG YEARS LATER THE LEADER FOUNDER BOUDIN SEASHORE LEARNT EXPERIMENTAL STYLE RECORDING THE LIGHT CERTAIN THE IMPRESSIONISTS POPULARIZE BRING IT MASS AUDIENCE RENOIR ALFRED SISLEY FREDERIC BAZILLE DISPLAYED THE FIRST TIME PRIVATE TECHNOLOGY PORTABLE ONCE EASY TRANSPORT STORAGE THE LAST THING MIND ASSOCIATE EUROPEAN PIG THE INDUSTRIAL REVOLUTION TRANSFORM THE WORLD TOOLS HINDERED EXPERIMENTING DIFFERENT TIMES LIGHT WEATHER YOU MIGHT THINK WORK ENOUGH WORRY TRANSPORTING TECHNIQUE GENIUS MIXING COLOURS ALWAYS THE TUBES ONTO THE EYE THE OBSERVER NECESSARY COLOUR MIXING THE ART SARCASTIC EASE WORKMANSHIP WALLPAPER EMBRYONIC STATE SEASCAPE PHOTOGRAPHS VERSUS DECADES REFINING BECOMING INCREASINGLY DEEP FIND THE SPIRIT OF PHOTOGRAPHY SIMULTANEOUSLY REACTION OF MACHINES PORTRAIT CAMERA PRODUCE ACCURATE IN BLACK AND WHITE FASTER THE RENAISSANCE VINCI HIMSELF PORTRAIT PAINTER SEEING ABOUT TO STEP IN HISTORIC MOMENTS CEREMONIES PAINTERS COMPETE THEMSELVES FACING QUESTIONS REPLICATE VISIBLE REALITY ANYMORE MACHINE FINE THE ANSWER OBVIOUSLY NEGATIVE INNOVATIVE PATH REALISTIC REPRESENTATIONAL ART DOMINANT VISUAL WESTERN GOING THE GREEK ROMAN PREFER DIVE PSYCHE ORDER CHANNEL PERSONAL PERCEPTION SOMETHING POSE IMPRESSIONISTS CAPTURED CANVAS LIVES ORDINARY PEOPLE SENSE INSPIRED ON STAGE DANSEUSE PHOTOGRAPH REBELS NEW GENERATION SOMEONE EXPLAIN TORSO DECOMPOSING FLESH GREEN PURPLISH COMPLETE PUTREFACTION REVIEW ALBERT WOLFF LE FIGARO NUDE IN THE SUNLIGHT CRITIQUE LOUIS STUDY OF A NUDE THE COLOR GAME HUNG REALLY SHOULD PUT ON NOCTURNE IN BLACK AND GOLD FALLING ROCKET JAMES ABBOTT MCNEILL WHISTLER TURNED BACKS THE ROMANTIC THE EYES OF PARAMOUNT SHUNNED NEOCLASSICAL THE IMPRESSIONIST EMOTIONS CONVENTIONALLY KIND BELONG TO HIGH ART LOOK LIKE ANTITHESIS LEAVE TRACES HOSTILITY FAMOUS COURT CASES AT THE CENTER THE TRIAL MOTTO THE COMING ABSTRACTION NAME MUSICAL UNPRECEDENTED ON THE OTHER SIDE OF THE COURT LEADING CRITIC VICTORIAN AGE JOHN RUSKIN LIBEL TRIAL NEVER HEAR COXCOMB TWO HUNDRED GUINEAS THAT ONE DAY WORTH 100 MILLION WHISTLER FARTHING DAMAGES FORCED PYRRHIC VICTORY FINANCIAL MODERN STYLE HARD IMAGINE AROUND THE WORLD CRITICS THE PUBLIC UGLY HARDER RATIONALE BEHIND PUBLIC OUTCRY ARTWORKS REJECTED TIMES PARIS SALON FRENCH ACADEMY FELLOW INDEPENDENT EXHIBITIONS LASTED TO 18 EIGHT THE WORLD OF ART AFTERSHOCKS EVENTUALLY FAUVISM ABSTRACT ART MODERN SHOWS EXPERIENCE BEARS LITTLE MIGHT REPLICAS REPRESENTATION OF IMAGINARY UNICORN GREEK GODDESS LIKE A FAMILY OBJECTIVITY EMERGING WHAT MATTERED MOST SUBJECTIVITY FEELINGS PERCEPTION OF REALITY FASCINATION REFLECTION EXPENSE HAZE OF COLOR CHARACTER THE MOVIE CLUELESS PUTS HERE MARCHING BLACK SQUARE LACK DEFINING FEATURES THE TURNING POINT MARKS BREAKAWAY TRADITIONAL CENTURIES NEW MATERIALS CONVENTIONAL NOTIONS THINGS BEAUTY SIRENS NYMPHS CITE PAGE VIEW COMMENTS PAGE RISE TO IT IMPRESSIONIST MUSIC HIDE PLAYLIST POPOUT SEARCH SHARE EMAIL HISTORY OF ART REALIST ART WEBSITE REALISM ART MODERN FUNCTION JQUERY IFRAME WIDTH