THE BARD MUSIC FESTIVAL SCHUBERT THE NEW YORKER FRANZ SCHUBERT THE FOCUS ANNUAL SUMMER MUSIC FESTIVAL BARD THE GREAT WE DO WE CAN SUMMON ROUGH IDEA CANTANKEROUS ONCE EARTHY MODERN SCHOLARS THE ROMANTIC PICTURE THE INNOCENT TUNESMITH LITTLE DISSIPATED SOLITARY NONE OF THE ABOVE HIGHEST LIE CHAMBER ART SONG SEEMS DIED CHARACTER FULLY POSSESSED POWERFUL MUSICAL IDENTITY TREMORS SCAR MATURE LYRIC SUBTERRANEAN TRILL STABBING AT THE END SYMPHONIC OPERATIC UTTERANCES FEAR THE NINETEENTH CENTURY RENDERED WAGNER SONG REMAINS THE LEADING EDGE GIFTED ARRAY THE TENORS PAUL APPLEBY NICHOLAS PHAN REBECCA TACKLE LIEDER OFFERS SELECTION CONTEMPORARIES LEON BOTSTEIN TAKE THE LEAD ROLE LOYAL BUSINESS RIVEN INSTABILITY KNOTTY FUGUE MUSICOLOGISTS THE TALKS NEARLY AUDIENCE THINK THE FESTIVAL ENDS CONCERT PERFORMANCE IMPOSING ATTEMPT LIBRETTO LOVES WARRING FRANKS MOORS CONVENTIONAL FULL LIBERATION PREMONITIONS OF WHAT WAS HARMONICALLY WAYWARD ARIA CRIES HAMMERING OSTINATO SCHOLARLY NO ONE GIVE CONFIDENT
The Bard Music Festival Celebrates Schubert - The New Yorker