THE BASS GUITAR ELECTRIC SIMPLY INSTRUMENT FINGERS PLUCKING SLAPPING STRUMMING PLECTRUM SIMILAR APPEARANCE CONSTRUCTION ELECTRIC GUITAR LONGER NECK SCALE LENGTH STRINGS THE DOUBLE BASS OCTAVE TRANSPOSING INSTRUMENT AS IT BASS CLEF HIGHER SOUNDS LEDGER LINE THE ELECTRIC GUITAR PLUGGED AMPLIFIER SPEAKER POPULAR MUSIC THE RHYTHM SECTION BASSLINE FROM ONE STYLE MUSIC BASSIST ROLE ANCHORING HARMONIC FRAMEWORK STYLES OF MUSIC UTILISE ROCK METAL PUNK COUNTRY REGGAE GOSPEL BLUES SYMPHONIC ROCK JAZZ SOLO JAZZ FUSION LATIN FUNK PROGRESSIVE ROCK THE MUSICIAN INVENTOR PAUL TUTMARC SEATTLE WASHINGTON MANUFACTURING LAP STEEL GUITAR DEVELOPED STRING BASS MODERN FRET SALES CATALOG ELECTRONIC MUSICAL INSTRUMENT AUDIOVOX MODEL FIDDLE BASS INSTRUMENT ADOPTION EASIER HOLD TRANSPORT EXISTING ADDITION BASSISTS PLAY TUNE ACOUSTIC UPRIGHT INSTRUMENTS MARKETING BRAND NAME ADVERTISED NATIONALLY HEATER MUSIC COMPANY WHOLESALE JOBBER FAMILY MARKET THE LEO FENDER THE HELP EMPLOYEE GEORGE FULLERTON THE FIRST MASS FENDER PRECISION BASS PRODUCTION COPIED INDUSTRY STANDARD PRECISION BASS EVOLVED SLAB BODY DESIGN SINGLE COIL PICKUP TELECASTER BEVELED EDGES COMFORT SPLIT SINGLE COIL PICKUP POLES FOR EACH SPLIT APPEARS MANDOLIN SOLID BODY ELECTRIC MANDOLIN POLE PIECES LEADS WITH RESPECT TO EACH OTHER HUMBUCKING CANCELS THE EFFECT FENDER BASS REVOLUTIONARY NEW INSTRUMENT TRANSPORTED VOLUME FEEDING PREVIOUSLY ROCK AND ROLL HARD AMPLIFY PRONE CAUSING AUDIO FEEDBACK BASS AMPLIFIER MONK MONTGOMERY BASS PLAYER TOUR LIONEL HAMPTON POSTWAR BIG BAND ROY JOHNSON SHIFTY HENRY LOUIS JORDAN HIS TYMPANY FIVE BILL BLACK PLAYING ELVIS PRESLEY SWITCHED THE FENDER PRECISION BASS APPEAL GUITARISTS BASS PLAYERS PIONEERS CAROL KAYE JOE OSBORN GIBSON SHORT SCALE VIOLIN EXTENDABLE THIS TIME THE END MAPLE ARCHED FEATURES PUSHBUTTON TONAL THE MORE GIBSON SG BODY SHAPE CLOSER LES PAUL SPECIAL POSITIONS IN BETWEEN THE BASE THE NECK GIBSONS HUMBUCKING PICKUP THE BRIDGE PRODUCE SCALE RELEASE THUNDERBIRD TRADITIONAL SMALL NUMBER COMPANIES BASS GUITARS THE KAY DANELECTRO SAW THE GERMAN TRADE FAIR MUSIKMESSE FRANKFURT VIOLIN CONSTRUCTION TECHNIQUES WALTER SECOND GENERATION LUTHIER THE BEATLE ENDORSEMENT USE BY PAUL MCCARTNEY RICKENBACKER THE MODEL FEATURE THE EXPLOSION POPULARITY ROCK MUSIC THE MANY MANUFACTURERS FENDER JAZZ BASS DELUXE JAZZMASTER JAZZ BASS CLOSE STACKED TONE CONTROL THIS WAS SOON CHANGED THE FAMILIAR CONFIGURATION CONTROL PASSIVE TONE VERSUS VISUAL DIFFERENCE APART PRECISION SHAPES REFERENCE ELECTRICAL DIFFERENCES MUSTANG BASS TINA WEYMOUTH TALKING HEADS BILL WYMAN THE ROLLING STONES ECHOED CURRENT DOMINANCE FENDER VI BARITONE GUITAR STANDARD GUITAR TUNING JACK BRUCE CREAM MUSIC MAN TOM WALKER FORREST WHITE LEO FENDER STINGRAY ACTIVE IMPEDANCE BUFFERING BOARD OUTPUT IMPEDANCE INCREASING OVERALL FREQUENCY RESPONSE LOWS IDENTIFIED PARTICULAR CHRIS SQUIRE GEDDY LEE RUSH PLAYERS LOUIS JOHNSON THE FUNK BAND THE BROTHERS JOHNSON BERNIE EDWARDS ALEMBIC TEMPLATE FOR WHAT BOUTIQUE PHIL LESH JACK CASADY STANLEY CLARKE UNIQUE PREMIUM WOOD ONBOARD ELECTRONICS EQUALIZATION INNOVATIVE GRAPHITE TOBIAS ANTHONY JACKSON COMMISSIONED CARL THOMPSON BUILD DESIGNERS EXPLORE NED STEINBERGER HEADLESS INNOVATIONS NEW MATERIALS INTRODUCING TRANSTREM TREMOLO BAR WARWICK EUROPEAN CONTRAST ASIAN AMERICAN STREAMER SPECTOR THE GUILD CORPORATION LAUNCHED FRETLESS ASHBORY BASS SILICONE RUBBER PIEZOELECTRIC PICKUP DOUBLE SOUND MTVS UNPLUGGED BANDS PERFORMING ACOUSTIC INSTRUMENTS HELPED POPULARIZE ACOUSTIC BASS GUITAR THE AS AVAILABLE NUMBER RANGING PREAMPLIFIERS EQUALIZER INCREASINGLY MODESTLY DIGITAL MODELLING INSIDE RECREATE TONES VARIAX DESIGNS POPULAR ANNIVERSARY FENDER JAGUAR BASS BODIES MATERIALS STEINBERGER WIDE VARIETY WOODS SUITABLE FRETBOARD COMMON TYPE THE BODY ALDER ROSEWOOD WALNUT POPLAR EBONY FRETBOARDS OPTIONS WAX OIL FLAT MACHINES HOHNER ARTIFICIAL LUTHITE BASSLAB COMPLEX SOLID HOLLOW CHAMBERS INCREASE RESONANCE REDUCE THE WEIGHT HOLLOW BODIES CHANGE TONE WOODEN ACOUSTIC GUITAR PIEZOELECTRIC MAGNETIC LUTHIERS BECOMING EXOTIC BUBINGA WENGE OVANGKOL GONCALO ALVES USED TO LIGHTWEIGHT NECKS USES COCOBOLO LAYER MATERIAL ATTRACTIVE HARDWOODS THE NECKS FINGERBOARDS AESTHETIC MILLING PIECE BOOKMATCHED POCKET LAYERS VERTICAL LENGTH ATTACHED TWO WINGS MADE UP ENTIRE BELIEVE SUSTAIN VIRTUALLY COSTING THOUSANDS BASS GUITAR THE ORIGINAL BASS SOLOS UPPER RANGE FINGERBOARD THE SIDE ASSIST PLAYER DETERMINING NOTES THE OPEN EQUIVALENTS MARKER LONG SCALE LEO BRIDGE THE STANDARD FENDER MUSTANG BASS LENGTHS ONCE OFFERING EXTRA YIELD DEFINED DETUNED CONSIDERATION WHETHER DIVIDE SEMITONE DIVISIONS FRETLESS BASS DISTINCT THE ABSENCE MEANS MUST PRESSED DOWN ONTO THE WOOD SOMEWHAT DIRECT CONTACT THE FLESH THE PLAYERS EXPRESSIVE GLISSANDO VIBRATO MICROTONAL QUARTER TONE JUST INTONATION FREEBO RICK DANKO ROD CLEMENTS STEVE DIGIORGIO COLIN EDWIN ALTERNATE PINO PALLADINO TONY LEVIN FRETLESS BASS GUITAR CONVERTED INEXPENSIVE JAPANESE AMPEG THE BAND HEARD STUDIO ALBUM THE ROCK AGES ALBUM RECORDED LIVE CH